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Thread: MAB Q&A
Kevin Emmrich

... however, country music is always changing and Nashville seems to thirsty for change or "the next big thing". What is your advice for writing totally new, unknown styles of songs which may be the next "new sound", yet also staying in conformity with the basic fundamental formula or rules for writing. ...  By the time it got to where needed to go, country music will have already moved on to something else. Best way to stay current and ahead at the same time?


Just my opinion, I would look at songs from bands like the Lumineers and The Head and the Heart.  While they have clearly defined verses and choruses (for the most part -- ha, ha).   But, they seem to add another high energy section that really could be a chorus also.   Bascially they are maximizing variety and energy, but they don't lose coherency or meaning.


Two examples:
1.)  Lumineers:  Hey Ho  -- http://www.youtube.com/watch?v=VjVlbK7OOrc   The section of  "Love – we need it now"  could be considered a bridge, but it is more chorusey to me.


2.)  The Head and The Heart:  http://www.youtube.com/watch?v=j3CqR_m6NO0   The "I am on my way" section definitely sounds like a chorus, but it comes pretty late and doesn't seem to have much to do with the song (ha, ha).  I think that it adds a whole different, temporary direction to the song and adds a  lot of energy.


I realize these aren't contemporary country lyrics -- they are too obtuse for Nashville/country writing, but dang they sound pretty good!  I think that approach could be applied to country songs.  Much rather go that direction that the rappin' stuff.